Wednesday, January 14, 2015

Welcome To The New (Japan) World

At the start of 2015, signs really do seem to be suggesting that wrestling is entering a new world. Yes, that’s a reference to New Japan Pro Wrestling and its WWE Network-like streaming service, launched at the tail end of 2014 and likely to have received a boost in subscribers with the occurrence of Wrestle Kingdom 9; but it goes beyond this. A startling number of outlets for quality wrestling are orbiting the once unparalleled WWE, with increasing velocities and more than a slight chance of causing some collisions. Although WWE is still the biggest fish in the pond, other organizations, with their growing prominence, have potential to exert a force from without on the WWE, hopefully leading them to up their game. If not, fans have the option to take their chants and go home. And dedicate their viewing to more exciting territories.

It’s as good a time as ever to start looking at a few of the varied promotions out there and highlight what’s going down by reacting to the highs and lows. By no means will I try to be first with reviews nor am I interested in breaking news. There are plenty of places out there for that with far more experience and resources. What I hope to bring is some interesting takes on what’s out there from one singular perspective and build a community of likeminded fans with some critical thoughts and a bit of a sense of humor.

This week has been extremely eventful for the promotions I hope to keep track of with NJPW having their biggest event of the year, made available to international audiences via Pay Per View and New Japan World for the first time, TNA airing their first episode of Impact on its new host station Discover America, and Lucha Underground holding a critical show in its narrative, one which would name their first championship belt holder. I find I cannot just ignore the WWE so I also plan to give a look at a few of the goings ons over there and, like other proponents of NXT, I’ll treat it as a separate program as well. Despite the fact that it is under the WWE umbrella, its uniqueness and high quality earns it a distinct look. I’d also like to include Ring of Honor in the mix, though the challenge of getting eyeballs on their product will be a theme I revisit, as I am not in range of their tv show and find accessing the re-broadcasts on the website to be a less than stellar experience.

And now, the good, the bad, and the weird for the week of January 4 – January 11, starting with New Japan Pro Wrestling.

The Good

NJPW Far be it from me to offer anything all that different from the heaps of praise already bestowed upon the increasingly hot promotion and this powerhouse, delivering a solid card of technical wrestling and two main events that have many describing as match of the year candidates. The one that took top honors in my book, and quite possibly being the best pro wrestling match that I feel I have ever seen is Shinsuke Nakamura vs Kota Ibushi. It starts with the creative and intensely charismatic entrance of Nakamura, bringing out the ‘King’ in his ‘King of Strong Style’ moniker, and doing so with peculiar flair that many would shy away from. Then, the realness of the rivalry between him and Ibushi came right out with Ibushi shoving away Nakamura’s patented leaning head clean break, and then Nakamura returning the favor by suckering him in with an insincere handshake and a stomp to the back of his head. Ibushi would continue with several taunts, mocking the intercontinental champion’s numerous mannerisms. Both would begin hitting each other with alarmingly stiff shots, specifically a series of punches that actually gave credence to the old school rule of closed fist punches being an illegal maneuver. Ibushi also not only recovered from some of Nakamura’s most intense throws, but did so with a maniacal grin spreading across his face. One jaw-dropping sequence found Ibushi hitting Nakamura with Nakamura’s own back drop suplex, mimicking some of Nakamura’s trademark ring entrance theatrics, and then delivering a running knee at such high speed, the camera couldn’t keep up fast enough to show the point of impact. These two pushed themselves and the art of choreographing a dramatic and physically demanding fight simulation. Their continued confrontations will no doubt be legendary and highly sought after on whatever platform its available.   

I’m gonna give a couple more mentions, though keep in mind, I am pointing out a couple of extremely strong points amidst a whole show and roster of strong points. No way to report it all, these are just a few personally highly reqarding aspects. First goes to the team of Bobby Fish and Kyle O’Reilly, Reddragon, who are tag title holders in both ROH and NJPW. In a four way tag team match filled extraordinary coordination and technically impressive feats, I was glad to see Reddragon come out on top, with their style combining quick paced high impact strikes and sharply executed throws. In the final minutes of the match they pulled off a number of impressive double team maneuvers beginning with Demolition’s classic finisher with the elbow from the second turnbuckle replaced by a stomp. Then, they pulled off a dizzying multi-step sequence with O’Reilly hitting a double underhook DDT as Fish assisted by hoisting the opponent up by his legs; then off the impact of the DDT, Fish lifted the opponent up into a vicious back suplex as O’Reilly kicked him up and away. Finally came their often used finished, Chasing The Dragon, in which O’Reilly holds an opponent up in a suplex position, Fish hits a roundhouse kick to the back of the opponent’s head, followed by O’Reilly doing a brainbuster. The kick comes across like an executioner hitting the switch to trigger a guillotine to come crashing down, precise and brutal. Very impressed by this team and looking forward to more in Japan and the US.

Another honorable mention goes out to jr. heavyweight challenger and now champion Kenny Omega, now ‘The Cleaner,’ who prior to Wrestle Kingdom 9 joined the Bullet Club and adapted anew heel persona. He fuly owned the sleazy look and mannerisms of his newly invented character and they were highly entertaining. While working a style that involves cheap shots and dishonorable tactics, Omega found well placed spots to hit impressive maneuvers in line with the cruiserweight style, including a lightning quick snap full-nelson suplex and a fantastic finisher that takes his opponent from the top of Omega’s shoulders and flips him into a driver-like slam. Kenny Omega looks to bring some heated storytelling top the Jr. Heavyweight title scene along with a very impressive arsenal of moves.

     
The Bad

NOTHING on this show struck me as outright bad. I could see how the Omega’s opponent Ryusuke Taguchi lacks direction, with a move-set that is all over the place, echoing several American wrestlers, but without a clear unifying aesthetic of his own. This has been brought up by the hosts of JAW (Japanese Audio Wrestling), a great show that airs monthly on LAW Radio, and perhaps the notion got into my head while watching this match. It definitely came through as he tried to mock Omega’s heelish posturing. It came off as lacking in passion as the villain in the fight an circles around him in the charisma department.

The Weird

Minoru Suzuki’s opponent, Sakuraba brought an MMA background to a match that was supposed to bring the influence of that style of combat heavily into the mix. He himself is a pretty diminutive figure and without much background on him, it could be difficult to be engaged by his appearance or grappling style. The mask he wore out to the ring seemed like a nod to old school Scifi superhero shows. I wonder what effect that has on the audience in Japan but it was a little difficult to grasp a vibe from for me.

I watched the show on New Japan World and after the impressive show, which had so many more bright spots than the ones mentioned above, I will check out all future events that are aired. If this quality level continues, and I see no reason why it wouldn’t, there is potential for New Japan to bring a few shows to the US via Pay Per View per year. I would not hesitate even a little, though, to pick up ‘World to fill in the gaps.


That’s it for now. I hope to weigh in on this Lucha Underground and TNA’s first offerings of 2015.

There’s no community without an ‘I’ and a split apart ‘you’ so please bring your opinions, dissent, hat tip, ridicule, questions and what have you to the comment section below.

Shout at me on twitter at @mondcurrymark.


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